about the album
'The world is waking outside my window' reads one of the many interpretations of this early 20 th century folk song from Italy. Sung by the anti-fascist movement in Italy in the 1940's, and last year in Taksim Square. Recorded by crooners, folkies, and punks from Gomez Naharro to Manu Chao to Chumbawumba, Bella Ciao is one of those songs that endures. And now, Brooklyn's mutli cultural Underground System brings a quite different interpretation to the world - steeped in afrobeat, crafted for the dance floor, Bella Ciao becomes an even more positive anthem.
about the artist
Underground System came bubbling up out of BKNY in early 2010. Originally steeped in influence and inspiration credited to Fela Kuti and the West African pioneered Afrobeat aesthetic, they have since carved out a niche that stands uniquely as their own. With a successful 12" vinyl release behind them (garnering attention and sales from radio, blogs, and distributors as far off as Europe, Africa, and Asia) and a noteworthy touring schedule to back it up (featured appearances at Burlington Jazz Fest, Bear Creak Music & Arts, Brooklyn Museum, Museum of Natural History), this huge, uncompromising, and diverse group has laid all the groundwork and is ready to aim the big guns- they're pointed directly at a dancefloor and sound system near you. For Underground System, their forthcoming single release "Bella Ciao" is the first taste of what's to come. A menagerie of the best kind - part baile funk MCing, part italian folk song, part afrobeat anthem - starting somewhere modern, dark, and latenight club friendly, bringing it back just in time to a bouncy and deceptively light feel, the whole while grounded in the timeless sensibility and authority of a killer live band. Set to music by founder Peter Matson and frontwoman Domenica Fossati and given life by the bands collective work in arrangement, the ever-evolving personalities and influences on this record shine brighter than ever. No one can deny the groups power and ability to package so many disparate influences with a unifying voice, and they owe a lot to the physical presence of what is one of the most diverse and dynamic crews of players to be assembled on the ground in NYC for a long time. A few phone calls and some chance meetings set the stage early on for where they are today: 10 core members deep, split equally between gender, representing too many cultural backgrounds to list, and boasting one of the most naturally enthralling live shows around. The energy the band exudes is confident, raw, and uninhibited, inviting every audience to lose themselves in the moment. The female front line is unique in its own rite and flips the script on the stereotypical male dominated afrobeat and big band culture in a perfectly nonchalant way. No marketing ploys or calculations here, the group organically evolved and ended up this way, a true reflection of the ideals it puts forward in every performance; the music created speaks for itself. Starting and keeping together a working band of such size and ambition is an admirable feat on its own, but it appears almost four years into their tenure Underground System is more ready than ever to really say something and be seen: a freaky, dancey, multicultural laser, caught somewhere between militant and carefree, punk rock and slinky grooves, graceful dance and reckless abandonment. And for all they're putting together, they are focused and poised to shoot back out of NYC in 2014. Keep your eyes and ears peeled.